"I have been tattooing for a long time, always trying to improve my technique, my designs, and always have used the best supplies available. Choosing the right pigment is one of the most important choices someone can make when executing a tattoo, to guarantee that you can obtain the right saturation, brightness, and solidity. I became obsessed with ink. I realized that creating my color system, knowing exactly what I put in it, was going to lead me to create the best ink possible. Solid Ink was born." - Federico Ferroni All products made in the USA.
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Garver Blood orange, an orange/red good for everything from bright flames to flowers. Available in 1 oz and 4 oz.
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$15.00
Dirty purple, a reddish purple with a touch of black for when you want a warm subdued purple. Available in 1 oz and 4 oz.
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$15.00
Ghost Face Grey, a blue grey excellent for anything cold and dead. Available in 1 oz and 4 oz.
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$15.00
Gold, great color when yellow and orange don’t quite do the trick. Available in 1 oz and 4 oz.
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$15.00
Green Tip, nice for the light part of leaves and mixes great with Sweet Leaf. Available in 1 oz and 4 oz.
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$15.00
Matcha, a nice mellow green which works well for leaves and kimonos. Available in 1 oz and 4 oz.
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Mikiri Blue, this dark toned down blue works great for dragons and masks. Available in 1 oz and 4 oz.
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Mikiri light, great for blending with Mikiri Blue to make warm and bright colors pop! Available in 1 oz and 4 oz.
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Peony Pink, excellent for flowers of all kinds! Available in 1 oz and 4 oz.
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Tiger Blood, great for anything from tiger noses to deep red in flowers. Available in 1 oz and 4 oz.
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$15.00
All of our tattoo inks are made with the highest quality organic pigments. Solid Ink is easy to work with, super bright and heals solid. Our inks are very concentrated to ensure maximum color saturation. Available in 1 oz.
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This color was based on the color of the body of Fudo Myo-o. In the Jyu-Kyu Kan text, the skin coloration of Fudo Myo-o is described as blue-black. While there are other colorations of Fudo Myo-o, this particular color is inspired by that text and I feel...
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This color is a deeper blue, similar to a toned down ultramarine. This color has been associated with men's clothing for many years in Japan. I like using this for samurai clothing and armor. Available in 1 oz and 4 oz.
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This color is derived from the flower of the same name, Kikyo, and has been used since the Heian Era (794-1192). This bluish purple is very dignified and is suitable for the kimonos of samurai and oiran. Available in 1 oz and 4 oz.
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This reddish yellow is connected to Buddhism in Japan. I think it is a nice base color for tigers as well as for metal pieces of samurai armor. This goes well with a bright yellow to give an old world ukiyo-e irezumi feel. Available in 1 oz and 4 oz...
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This is a color that has been used in Japan since the Heian Period (794-1192). In Kabuki Theatre, this is one of the three colors of the final closing curtain. It is a reserved and subtle green. I find it suitable for the base color of dragons, Fujin,...
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This color is a yellowish brown ochre tone reminiscent of straw and the materials related to woodwork. I would also use these for the clothing of Fujin and Raijin. I like using it when I want a subtle color tone. Available in 1oz and 4 oz.
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This pink was created with the cherry blossom flower in mind. In old irezumi, Shu was used for these flowers, but this modern color is more true to the actual color of the iconic Japanese flower and has a softer feel. I also feel it is great for tennyo...
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Towards the end of the Meiji Era (1868-1912) this color was popular amongst the geisha of the Shinbashi district in Tokyo. It is a reserved but still bright, blue tone. Aside for its obvious use for kimono color, I feel it works great for yurei (ghosts)...
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This color exists between red and orange and is a classic color of Japan. In Japanese irezumi this color has been used for a very long time, since the days when colors were very limited. By using Shu, Bengara, and my Sumi Set, you can invoke a very old...